Obviously not for each project and client but when you’re in need of an expressive serif font that’s just a little bit “extra”, give Swear Display a chance and you won’t be disappointed. This font family varies from a very sharp, yet quirky serif to an expressive script-like font that you won’t see very often. The impressive 18 different styles and weights give you plenty of options to choose from. Just another beautiful typeface from OH no Type Co. Some typefaces have a slight resemblance between the “1” and “7”, which is something you don’t want to happen in your telephone number on your business card, am I right? Trade Gothic is an example of a very decent, functional typeface with enough character to be distinctive. Because not only do the alphabetical letters need to be easy and clear to read, numerals are one of those elements of a font that often get overlooked. When you’re looking for the best font for business cards, for example, you’ll notice that legibility is one of the most important factors. When working on a brand identity you’ll be needing a font that can help you with the different “brand touchpoints”. It’s amazing to see how different its appearance is between the condensed and extended options. With 14 different styles and weights, there’s enough to choose from for your design project. Trade Gothic is one of those typefaces that have been around for decades but isn’t that saturated or “over-used” at all. Other than that, just an amazing typeface from the upcoming type foundry OH no Type Co.ĭesigned by Jackson Burke in 1948, he continued to work on other weights and styles until 1960 when he was director of type development for Mergenthaler-Linotype. For longer-form reads, however, we would advise adding a typeface for body text as well as Degular can be harder to read at a small scale for some people.
With so many different weights and styles, you can come very far by just using this typeface for your project. Often featured among lists of the best Adobe fonts and we completely understand this. It checks all the boxes to be a well-built typeface but with the use of some very characteristic letter forms and the overall appearance of the typeface, this is the perfect choice to use for a modern, fresh brand. Degularĭegular is the perfect mix between technical and outgoing. Neue Haas Grotesk was the original base that eventually became Helvetica, but in our opinion, this version is so much better. It was designed by Max Miedinger and Christian Schwartz and contains 16 different styles. Whether you need to work on a long-form text, design a brand identity or create a contemporary website, this sans-serif family has all the options you need (and then some). Without a doubt, this is one of the best sans-serif fonts of all time. In case you’re looking for a true workhorse typeface that can help you design an array of applications, Neue Haas Grotesk is there to help you out. Some fonts are always handy to keep around for future design projects. Available in both left and right-leaning, this typeface with 4 weights is perfect for outdoor signage, restaurant menus, apparel design, and anything that needs to bring retro vibes. We’re big fans of script fonts and we have to say that Beverly Drive is one of the best script fonts out there. Next to beauties such as Beale, Chapman Ave, and Venice Blvd they have built the stunning script font Beverly Drive. The Hood sisters from Hoodzpah are known for their retro-inspired work and luckily for us, they started developing their own typefaces as well. We’ll probably see this font quite often in 2023. Not too suitable to use for body text or headers but this beauty will definitely spice up your packaging design or accompany an illustrative design. This quirky, characteristic font will be perfect to use for anything with a retro vibe. Chances are that you’ll come across the recently released Gardez from Dalton Maag next year.
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